Rehaf Al Batniji is a Palestinian visual artist
and photographer from Gaza, currently based in France. Self-taught in a place
where access to formal art education was nearly impossible, she developed her
artistic practice through deep observation, experimentation, and a relentless
commitment to storytelling. Her work explores memory, displacement, and the
fragile relationship between personal and collective history.
Through her projects, Al Batniji navigates the
intersection of photography, archival material, and documentary practice,
questioning the role of images in preserving identities under constant threat.
In Original Copy (2)a
photographic archive spanning over a decade, she examines how
everyday photographs in Gaza become urgent documents of existence, capturing
lives in a space fractured by violence and loss. Meanwhile, Fables of the Sea reflects on Gaza’s coastline, where
the sea, once a refuge, is now a contested space of survival and uncertainty.
Her work has been shown internationally, including
at the 2024 Venice
Biennale (When Solidarity is Not a Metaphor), the exhibition These Voices That Besiege Me at the Cité Internationale des Arts in
Paris, Tasweer Photo
Festival in Doha, and her solo exhibition Unsent Postcards from Gaza at the French Institute in Cairo. She
has also exhibited at the Institut du Monde Arabe, Gulf Photo Plus Dubai, Farc
Gallery in Metz, and Arles, with publications in Le Monde diplomatique and Libération.
Beyond her artistic practice, Al Batniji has been
deeply involved in fostering creative spaces for emerging artists in Gaza,
dedicating over a decade to mentoring young creatives. Through her lens, she
continues to challenge dominant narratives, using photography as both a form of
resistance and a means of preserving what history often seeks to erase.